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freedoom.lmp: force
echo $(VERSION) > freedoom.lmp
force:

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GNU GENERAL PUBLIC LICENSE
Version 2, June 1991
Copyright (C) 1989, 1991 Free Software Foundation, Inc.
59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.
Preamble
The licenses for most software are designed to take away your
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License is intended to guarantee your freedom to share and change free
software--to make sure the software is free for all its users. This
General Public License applies to most of the Free Software
Foundation's software and to any other program whose authors commit to
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the GNU Library General Public License instead.) You can apply it to
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When we speak of free software, we are referring to freedom, not
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TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
0. This License applies to any program or other work which contains
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END OF TERMS AND CONDITIONS
How to Apply These Terms to Your New Programs
If you develop a new program, and you want it to be of the greatest
possible use to the public, the best way to achieve this is to make it
free software which everyone can redistribute and change under these terms.
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convey the exclusion of warranty; and each file should have at least
the "copyright" line and a pointer to where the full notice is found.
<one line to give the program's name and a brief idea of what it does.>
Copyright (C) <year> <name of author>
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it under the terms of the GNU General Public License as published by
the Free Software Foundation; either version 2 of the License, or
(at your option) any later version.
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but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
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Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
Also add information on how to contact you by electronic and paper mail.
If the program is interactive, make it output a short notice like this
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Gnomovision version 69, Copyright (C) year name of author
Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
This is free software, and you are welcome to redistribute it
under certain conditions; type `show c' for details.
The hypothetical commands `show w' and `show c' should show the appropriate
parts of the General Public License. Of course, the commands you use may
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mouse-clicks or menu items--whatever suits your program.
You should also get your employer (if you work as a programmer) or your
school, if any, to sign a "copyright disclaimer" for the program, if
necessary. Here is a sample; alter the names:
Yoyodyne, Inc., hereby disclaims all copyright interest in the program
`Gnomovision' (which makes passes at compilers) written by James Hacker.
<signature of Ty Coon>, 1 April 1989
Ty Coon, President of Vice
This General Public License does not permit incorporating your program into
proprietary programs. If your program is a subroutine library, you may
consider it more useful to permit linking proprietary applications with the
library. If this is what you want to do, use the GNU Library General
Public License instead of this License.

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all : playpal.lmp colormap.lmp
playpal.lmp : playpal-base.lmp playpal.pl
./playpal.pl playpal-base.lmp > playpal.lmp
colormap.lmp : playpal.lmp colormap.pl
./colormap.pl playpal.lmp > colormap.lmp
SOURCES=playpal.pl colormap.pl COPYING Makefile
VERSION=0.0.1
dist : doom-misc-lumps-$(VERSION).tar.gz
doom-misc-lumps-$(VERSION).tar.gz : $(SOURCES)
tar czf $@ $(SOURCES)
.PHONY : all dist

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#!/usr/bin/perl -w
# Takes PLAYPAL as input (filename is the only parameter)
# Produces a light graduated COLORMAP on stdout
# O(n^2)
#
# Copyright (C) 2001 Colin Phipps <cphipps@doomworld.com>
# Parts copyright (C) 1999 by id Software (http://www.idsoftware.com/)
#
# This program is free software; you can redistribute it and/or modify
# it under the terms of the GNU General Public License as published by
# the Free Software Foundation; either version 2 of the License, or
# (at your option) any later version.
#
# This program is distributed in the hope that it will be useful,
# but WITHOUT ANY WARRANTY; without even the implied warranty of
# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
# GNU General Public License for more details.
#
# You should have received a copy of the GNU General Public License
# along with this program; if not, write to the Free Software
# Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
use strict;
my @colours;
# Return palette read from named file
sub read_palette ($) {
{
my $palf = shift;
open(PALF,"<$palf") or die "failed to open PLAYPAL: $!";
}
@colours = ();
foreach my $i (0..255) {
my $e;
read PALF,$e,3;
push @colours,[unpack("CCC",$e)];
}
close PALF;
return \@colours;
}
sub sq($) { my $x = shift; $x*$x }
# Return closest palette entry to the given RGB triple
sub search_palette {
my ($r,$g,$b) = @_;
my $d = 100000; my $n = -1;
my $i = 0;
foreach my $c (@colours) {
my $thisdist = sq($c->[0] - $r) + sq($c->[1] - $g) + sq($c->[2] - $b);
if ($thisdist < $d) { $d = $thisdist; $n = $i; }
$i++;
}
die "failed to find any close colour?" if $n == -1;
return $n;
}
sub darkenedpalette($) {
my $darkensub = shift;
my @pal;
foreach my $c (@colours) {
my @d = $darkensub->(@$c);
push @pal,search_palette(@d);
}
return \@pal;
}
sub makedarkenrgbbyfactor($) {
my $f = shift;
return sub { my ($r,$g,$b) = @_; return (int($r*$f),int($g*$f),int($b*$f)) };
}
read_palette(shift @ARGV);
foreach my $i (0..31) {
my $p = darkenedpalette( makedarkenrgbbyfactor((32.0-$i)/32.0));
print map { pack("C",$_) } @$p;
print STDERR ".";
}
# And now INVERSECOLORMAP
{
my $p = darkenedpalette(
sub {
my ($r,$g,$b) = @_;
my $x = int (256 - ($r+$g+$b)/3);
return ($x,$x,$x);
}
);
print map { pack("C",$_) } @$p;
}

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A decent GENMIDI.
By "Dan L'Ecuyer" (hope I spelt it right) <dlecuyer@tbase.com>
Uploaded (with permission) by cph. Public domain.

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#!/usr/bin/perl -w
# Script to generate the PLAYPAL lump used by the Doom engine, specifically the
# which contains 14 alternative palettes which are used for various
# environmental effects. The base palette from which these are derived is either
# generated, or taken from a file.
#
# Copyright (C) 2001 Colin Phipps <cphipps@doomworld.com>
# Parts copyright (C) 1999 by id Software (http://www.idsoftware.com/)
#
# This program is free software; you can redistribute it and/or modify
# it under the terms of the GNU General Public License as published by
# the Free Software Foundation; either version 2 of the License, or
# (at your option) any later version.
#
# This program is distributed in the hope that it will be useful,
# but WITHOUT ANY WARRANTY; without even the implied warranty of
# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
# GNU General Public License for more details.
#
# You should have received a copy of the GNU General Public License
# along with this program; if not, write to the Free Software
# Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
use strict;
# IHS (Intensity Hue Saturation) to RGB conversion, utility function
#
# Obtained from a web page, which credited the following for the algorithm
# Kruse, F.A. and G.L. Raines, 1984. "A Technique For Enhancing Digital
# Colour Images by Contrast Stretching in Munsell Colour Space",
# Proceedings of the International Symposium on Remote Sensing of
# Environment, 3rd Thematic Conference, Environmental Research Institute
# of Michigan, Colorado Springs, Colorado, pp. 755-773.
# Bonham-Carter, Graeme F., 1994. Geographic Informations Systems for
# Geoscientists: Modelling with GIS. Computer Methods in the
# Geosciences, Volume 13, published by Pergamon (Elsevier Science Ltd),
# pp. 120-125.
use constant R2 => 1 / sqrt(2);
use constant R3 => 1 / sqrt(3);
use constant R6 => 1 / sqrt(6);
use constant PI => 3.141592;
sub ihs_to_rgb($$$)
{
my ($i,$h,$s) = @_;
# Hue and Saturation values are unscaled first:
$i = $i * (422/255);
$h = $h * (2 * PI / 255);
$s = $s * ("208.2066" / 255);
my ($b,$x) = ($s * cos $h, $s * sin $h);
return
[
R3 * $i - R6 * $b - R2 * $x,
R3 * $i - R6 * $b + R2 * $x,
R3 * $i + 2 * R6 * $b,
];
}
# New palette builder
sub make_pal_range($$$$)
{
my ($i,$h,$s,$n) = @_;
my @r = map { ihs_to_rgb($i*(1 + $n - $_)/$n,$h,$s*(1 + $n - $_)/$n) } (1..$n);
die unless @r == $n;
return @r;
}
# Very crude traversal of the IHS colour ball
sub make_palette_new ()
{
my @p = (
make_pal_range(255,0,0,32),
( map { make_pal_range(127,171+$_*256/7,255,16) } (1..7) ),
( map { make_pal_range(256,$_*256/7,127,16) } (1..7) )
);
return \@p;
}
# Return palette read from named file
sub read_palette ($) {
{
my $palf = shift;
open(PALF,"<$palf") or die "failed to open PLAYPAL: $!";
}
my @colours = ();
foreach my $i (0..255) {
my $e;
read PALF,$e,3;
push @colours,[unpack("CCC",$e)];
}
close PALF;
return \@colours;
}
sub make_palette ()
{
my $palf = shift @ARGV;
return $palf ? read_palette($palf) : make_palette_new;
}
# Old palette builder
#sub make_pal_range($$$$$$)
#{
# my ($rs,$gs,$bs,$re,$ge,$be) = @_;
# return map { my $e = $_/16; my $s = 1-$e;
# [$rs*$s + $re*$e, $gs*$s + $ge*$e, $bs*$s + $be * $e] } (1..16);
#}
#
#sub make_palette ()
#{
# my @p = (
# make_pal_range(0,0,0,0,0,0), # hmmm
# make_pal_range(255,255,255,255,0,0), # pinks
# make_pal_range(255,0,0,0,0,0), # dull reds
# make_pal_range(255,128,255,192,192,0), # yellows
# make_pal_range(255,255,0,0,0,0), # yellows
# make_pal_range(255,255,255,0,0,0), # white
# make_pal_range(127,127,127,0,0,0), # gray
# make_pal_range(255,255,255,0,255,0), # light greens
# make_pal_range(0,255,0,0,0,0), # greens
# make_pal_range(0,0,0,0,0,0), # hmmm
# make_pal_range(0,0,255,0,0,0), # dark blues
# make_pal_range(255,255,255,0,0,255), # bright blues
# make_pal_range(255,0,255,0,0,0), # magenta
# make_pal_range(0,255,255,0,0,0), # cyan
# make_pal_range(0,0,0,0,0,0), # hmmm
# make_pal_range(0,0,0,0,0,0)); # hmmm
# return \@p;
#}
# Now the PLAYPAL stuff - take the main palette and construct biased versions
# for the palette translation stuff
sub bias_towards($$$) {
my ($rgb,$target,$p) = @_;
my (@r,$i);
for ($i=0; $i<3; $i++) { $r[$i] = $rgb->[$i]*(1-$p) + $target->[$i]*$p }
return \@r;
}
sub modify_palette_per_entry($$)
{
my $palref = shift;
my $efunc = shift;
my @newpal = map { $efunc->($_) } @$palref;
return \@newpal;
}
# Encode palette in the 3-byte RGB triples format expected by the engine
sub clamp_pixval ($)
{
my $v = int shift;
return ($v < 0) ? 0 : ($v > 255) ? 255 : $v;
}
sub encode_palette
{
my $p = shift;
return join("",map { pack("CCC", map { clamp_pixval $_ } @$_) } @$p);
}
# From st_stuff.c, Copyright 1999 id Software, license GPL
#define STARTREDPALS 1
#define STARTBONUSPALS 9
#define NUMREDPALS 8
#define NUMBONUSPALS 4
#define RADIATIONPAL 13
my @needed_palettes = (
# Normal palette
sub { shift; },
# STARTREDPALS
(map {
my $p = $_*1/8;
sub {
modify_palette_per_entry(shift,
sub { bias_towards(shift, [255,0,0],$p) }
)
}
} (1..8)),
# STARTBONUSPALS
(map {
my $p = $_*0.4/4;
sub {
modify_palette_per_entry(shift,
sub { bias_towards(shift, [128,128,128],$p) }
)
}
} (1..4)),
# RADIATIONPAL
sub {
modify_palette_per_entry(shift,
sub { bias_towards(shift, [0,255,0],0.2) }
)
}
);
# Main program - make a base palette, then do the biased versions
my $pal = make_palette;
print map { encode_palette(&$_($pal)) } @needed_palettes;

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csabo/endoom.lmp

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#include <stdio.h>
#include <stdlib.h>
void print_byte(int i)
{
unsigned char c = i;
printf("%c", c);
}
int main(int argc, char *argv[])
{
// header
print_byte(109); // version
print_byte(0); // skill
print_byte(1); // episode
print_byte(1); // level
print_byte(0); // mode (single/coop)
print_byte(0); // respawn
print_byte(0); // fast monsters
print_byte(0); // nomonsters
print_byte(0); // viewpoint
print_byte(1); // player 1 present
print_byte(0); // player 2 present
print_byte(0); // player 3 present
print_byte(0); // player 4 present
// one frame and then quit
print_byte(0);
print_byte(0);
print_byte(0);
print_byte(0);
// end of demo
print_byte(0x80); // end of demo
}

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0.4

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fraggle/freedoom.lmp

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# DMXGUS entry
#
# 1024K patch mapping optimized for TLR for DOOM (1) !
# by Sebastien Bacquet <bacquet@bach.iie.cnam.fr>
# or <bacquet@rubis.iie.cnam.fr>
#
# May 4, 95
#
# patch#, 256K, 512K, 768K, 1024K, filename
#
0,2,1,1,0,acpiano
1,1,1,1,1,britepno
2,2,1,1,0,synpiano
3,2,1,1,1,honky
4,2,1,1,0,epiano1
5,2,1,1,128,epiano2
6,2,1,1,128,hrpschrd
7,2,1,1,128,clavinet
8,12,12,12,128,celeste
9,12,12,12,128,glocken
10,12,12,12,128,musicbox
11,12,12,12,128,vibes
12,12,12,12,128,marimba
13,12,12,12,1,xylophon
14,12,12,12,128,tubebell
15,12,12,12,128,santur
16,2,16,16,16,homeorg
17,2,16,16,128,percorg
18,2,16,16,128,rockorg
19,2,16,16,128,church
20,2,16,16,128,reedorg
21,2,16,16,128,accordn
22,2,16,16,128,harmonca
23,2,16,16,128,concrtna
24,24,24,24,128,nyguitar
25,24,24,24,128,acguitar
26,24,24,24,128,jazzgtr
27,24,24,24,128,cleangtr
28,24,24,24,128,mutegtr
29,29,29,29,128,odguitar
30,29,30,30,128,distgtr
31,29,30,30,128,gtrharm
32,39,32,32,128,acbass
33,39,32,32,33,fngrbass
34,39,32,32,128,pickbass
35,39,32,32,33,fretless
36,39,36,36,128,slapbas1
37,39,36,36,128,slapbas2
38,39,36,36,128,synbass1
39,39,36,36,128,synbass2
40,40,40,40,40,violin
41,40,40,40,128,viola
42,40,42,42,128,cello
43,40,40,40,128,contraba
44,40,40,40,49,marcato
45,40,40,40,128,pizzcato
46,24,24,46,128,harp
47,47,47,47,115,timpani
48,51,51,48,128,marcato
49,51,51,49,49,slowstr
50,51,51,48,49,synstr1
51,51,51,48,49,synstr2
52,52,52,52,128,choir
53,52,52,52,128,doo
54,52,52,52,128,voices
55,128,128,55,55,orchhit
56,56,56,56,128,trumpet
57,56,56,56,128,trombone
58,56,56,56,128,tuba
59,56,56,56,128,mutetrum
60,56,56,56,128,frenchrn
61,56,56,56,128,hitbrass
62,56,56,56,128,synbras1
63,56,56,56,128,synbras2
64,66,66,64,128,sprnosax
65,66,66,66,128,altosax
66,66,66,66,128,tenorsax
67,66,66,66,128,barisax
68,68,69,69,128,oboe
69,68,69,69,79,englhorn
70,68,69,69,128,bassoon
71,68,69,69,128,clarinet
72,73,73,73,128,piccolo
73,73,73,73,128,flute
74,73,73,73,128,recorder
75,73,73,73,128,woodflut
76,73,73,73,128,bottle
77,73,77,77,128,shakazul
78,73,73,73,128,whistle
79,73,73,73,79,ocarina
80,29,29,29,79,sqrwave
81,29,29,29,79,sawwave
82,73,73,29,82,calliope
83,73,73,29,82,chiflead
84,29,29,29,128,voxlead
85,52,52,29,128,voxlead
86,52,52,29,128,lead5th
87,52,52,29,128,basslead
88,52,52,88,128,fantasia
89,52,52,29,89,warmpad
90,52,52,29,90,choir
91,52,52,29,128,ghostie
92,52,52,29,128,bowglass
93,52,52,29,89,metalpad
94,52,52,29,128,halopad
95,52,52,29,95,sweeper
96,52,52,96,128,aurora
97,52,52,52,89,soundtrk
98,52,52,52,128,crystal
99,52,52,52,99,atmosphr
100,52,52,52,100,freshair
101,52,52,52,128,unicorn
102,52,102,102,89,ghostie
103,52,102,102,128,startrak
104,24,102,102,128,sitar
105,24,105,105,128,banjo
106,24,105,105,128,shamisen
107,24,105,105,128,koto
108,115,115,115,128,kalimba
109,24,69,105,128,bagpipes
110,24,42,42,128,fiddle
111,24,105,105,128,shannai
112,114,114,112,128,carillon
113,114,114,112,113,agogo
114,114,114,114,128,steeldrm
115,115,115,115,115,woodblk
116,115,117,117,128,taiko
117,115,117,117,128,toms
118,115,117,117,118,syntom
119,128,128,128,128,revcym
120,128,128,128,128,fx-fret
121,128,128,128,128,fx-blow
122,128,128,128,122,seashore
123,128,128,128,128,jungle
124,128,128,128,128,telephon
125,128,128,128,128,helicptr
126,128,128,126,128,applause
127,128,128,128,113,agogo
128,128,128,128,128,blank
155,128,128,128,128,highq
156,128,128,128,128,slap
157,128,128,128,128,scratch1
158,128,128,128,128,scratch2
159,159,159,159,128,sticks
160,128,128,128,128,sqrclick
161,128,128,128,128,metclick
162,128,128,128,128,metbell
163,163,163,163,164,kick1
164,164,164,164,164,kick2
165,165,165,165,165,stickrim
166,166,166,166,166,snare1
167,167,167,167,167,claps
168,168,168,168,168,snare2
169,171,169,169,178,tomlo2
170,170,170,170,170,hihatcl
171,171,171,171,178,tomlo1
172,172,172,172,174,hihatpd
173,175,173,173,178,tommid2
174,174,174,174,174,hihatop
175,175,175,175,178,tommid1
176,178,176,176,178,tomhi2
177,181,179,179,177,cymcrsh1
178,178,178,178,178,tomhi1
179,181,179,179,128,cymride1
180,181,179,179,177,cymchina
181,181,179,179,181,cymbell
182,182,182,182,170,tamborin
183,181,179,179,177,cymsplsh
184,128,128,128,165,cowbell
185,181,179,179,177,cymcrsh2
186,128,128,128,55,vibslap
187,181,179,179,128,cymride2
188,178,188,188,128,bongohi
189,175,189,189,189,bongolo
190,175,190,190,165,congahi1
191,175,191,191,128,congahi2
192,171,191,191,178,congalo
193,128,128,128,165,timbaleh
194,128,128,128,178,timbalel
195,128,128,128,196,agogohi
196,128,128,128,196,agogolo
197,128,128,128,197,cabasa
198,128,198,198,197,maracas
199,128,128,128,128,whistle1
200,128,128,128,128,whistle2
201,128,128,128,201,guiro1
202,128,128,128,201,guiro2
203,128,128,128,204,clave
204,128,204,204,204,woodblk1
205,128,205,205,128,woodblk2
206,128,128,128,128,cuica1
207,128,128,128,128,cuica2
208,128,128,128,128,triangl1
209,128,128,128,128,triangl2
210,128,128,128,128,shaker
211,128,128,128,128,jingles
212,128,128,128,128,belltree
213,128,128,128,128,castinet
214,128,128,128,128,surdo1
215,128,128,128,128,surdo2

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# DMXGUSC entry
#
# 1024K patch mapping optimized for TLR for DOOM ][ !
# by Sebastien Bacquet <bacquet@bach.iie.cnam.fr>
# or <bacquet@rubis.iie.cnam.fr>
#
# May 4, 95
#
# patch#, 256K, 512K, 768K, 1024K, filename
#
0,2,1,1,0,acpiano
1,1,1,1,1,britepno
2,2,1,1,0,synpiano
3,2,1,1,1,honky
4,2,1,1,0,epiano1
5,2,1,1,128,epiano2
6,2,1,1,128,hrpschrd
7,2,1,1,128,clavinet
8,12,12,12,128,celeste
9,12,12,12,128,glocken
10,12,12,12,128,musicbox
11,12,12,12,128,vibes
12,12,12,12,128,marimba
13,12,12,12,1,xylophon
14,12,12,12,128,tubebell
15,12,12,12,128,santur
16,2,16,16,16,homeorg
17,2,16,16,128,percorg
18,2,16,16,128,rockorg
19,2,16,16,128,church
20,2,16,16,128,reedorg
21,2,16,16,128,accordn
22,2,16,16,128,harmonca
23,2,16,16,128,concrtna
24,24,24,24,128,nyguitar
25,24,24,24,128,acguitar
26,24,24,24,128,jazzgtr
27,24,24,24,128,cleangtr
28,24,24,24,128,mutegtr
29,29,29,29,128,odguitar
30,29,30,30,128,distgtr
31,29,30,30,128,gtrharm
32,39,32,32,128,acbass
33,39,32,32,33,fngrbass
34,39,32,32,128,pickbass
35,39,32,32,33,fretless
36,39,36,36,128,slapbas1
37,39,36,36,128,slapbas2
38,39,36,36,128,synbass1
39,39,36,36,128,synbass2
40,40,40,40,40,violin
41,40,40,40,128,viola
42,40,42,42,128,cello
43,40,40,40,128,contraba
44,40,40,40,49,marcato
45,40,40,40,128,pizzcato
46,24,24,46,128,harp
47,47,47,47,115,timpani
48,51,51,48,128,marcato
49,51,51,49,49,slowstr
50,51,51,48,49,synstr1
51,51,51,48,49,synstr2
52,52,52,52,128,choir
53,52,52,52,128,doo
54,52,52,52,128,voices
55,128,128,55,55,orchhit
56,56,56,56,128,trumpet
57,56,56,56,128,trombone
58,56,56,56,128,tuba
59,56,56,56,128,mutetrum
60,56,56,56,128,frenchrn
61,56,56,56,128,hitbrass
62,56,56,56,128,synbras1
63,56,56,56,128,synbras2
64,66,66,64,128,sprnosax
65,66,66,66,128,altosax
66,66,66,66,128,tenorsax
67,66,66,66,128,barisax
68,68,69,69,128,oboe
69,68,69,69,79,englhorn
70,68,69,69,128,bassoon
71,68,69,69,128,clarinet
72,73,73,73,128,piccolo
73,73,73,73,128,flute
74,73,73,73,128,recorder
75,73,73,73,128,woodflut
76,73,73,73,128,bottle
77,73,77,77,128,shakazul
78,73,73,73,128,whistle
79,73,73,73,79,ocarina
80,29,29,29,79,sqrwave
81,29,29,29,79,sawwave
82,73,73,29,82,calliope
83,73,73,29,82,chiflead
84,29,29,29,128,voxlead
85,52,52,29,128,voxlead
86,52,52,29,128,lead5th
87,52,52,29,128,basslead
88,52,52,88,128,fantasia
89,52,52,29,89,warmpad
90,52,52,29,90,choir
91,52,52,29,128,ghostie
92,52,52,29,128,bowglass
93,52,52,29,89,metalpad
94,52,52,29,128,halopad
95,52,52,29,95,sweeper
96,52,52,96,128,aurora
97,52,52,52,89,soundtrk
98,52,52,52,128,crystal
99,52,52,52,99,atmosphr
100,52,52,52,100,freshair
101,52,52,52,128,unicorn
102,52,102,102,89,ghostie
103,52,102,102,128,startrak
104,24,102,102,128,sitar
105,24,105,105,128,banjo
106,24,105,105,128,shamisen
107,24,105,105,128,koto
108,115,115,115,128,kalimba
109,24,69,105,128,bagpipes
110,24,42,42,128,fiddle
111,24,105,105,128,shannai
112,114,114,112,128,carillon
113,114,114,112,113,agogo
114,114,114,114,128,steeldrm
115,115,115,115,115,woodblk
116,115,117,117,128,taiko
117,115,117,117,128,toms
118,115,117,117,118,syntom
119,128,128,128,128,revcym
120,128,128,128,128,fx-fret
121,128,128,128,128,fx-blow
122,128,128,128,122,seashore
123,128,128,128,128,jungle
124,128,128,128,128,telephon
125,128,128,128,128,helicptr
126,128,128,126,128,applause
127,128,128,128,113,agogo
128,128,128,128,128,blank
155,128,128,128,128,highq
156,128,128,128,128,slap
157,128,128,128,128,scratch1
158,128,128,128,128,scratch2
159,159,159,159,128,sticks
160,128,128,128,128,sqrclick
161,128,128,128,128,metclick
162,128,128,128,128,metbell
163,163,163,163,164,kick1
164,164,164,164,164,kick2
165,165,165,165,165,stickrim
166,166,166,166,166,snare1
167,167,167,167,167,claps
168,168,168,168,168,snare2
169,171,169,169,178,tomlo2
170,170,170,170,170,hihatcl
171,171,171,171,178,tomlo1
172,172,172,172,174,hihatpd
173,175,173,173,178,tommid2
174,174,174,174,174,hihatop
175,175,175,175,178,tommid1
176,178,176,176,178,tomhi2
177,181,179,179,177,cymcrsh1
178,178,178,178,178,tomhi1
179,181,179,179,128,cymride1
180,181,179,179,177,cymchina
181,181,179,179,181,cymbell
182,182,182,182,170,tamborin
183,181,179,179,177,cymsplsh
184,128,128,128,165,cowbell
185,181,179,179,177,cymcrsh2
186,128,128,128,55,vibslap
187,181,179,179,128,cymride2
188,178,188,188,128,bongohi
189,175,189,189,189,bongolo
190,175,190,190,165,congahi1
191,175,191,191,128,congahi2
192,171,191,191,178,congalo
193,128,128,128,165,timbaleh
194,128,128,128,178,timbalel
195,128,128,128,196,agogohi
196,128,128,128,196,agogolo
197,128,128,128,197,cabasa
198,128,198,198,197,maracas
199,128,128,128,128,whistle1
200,128,128,128,128,whistle2
201,128,128,128,201,guiro1
202,128,128,128,201,guiro2
203,128,128,128,204,clave
204,128,204,204,204,woodblk1
205,128,205,205,128,woodblk2
206,128,128,128,128,cuica1
207,128,128,128,128,cuica2
208,128,128,128,128,triangl1
209,128,128,128,128,triangl2
210,128,128,128,128,shaker
211,128,128,128,128,jingles
212,128,128,128,128,belltree
213,128,128,128,128,castinet
214,128,128,128,128,surdo1
215,128,128,128,128,surdo2

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_/_/_/_/ _/ _/ _/_/_/_/ _/_/_/_/_/ _/ _/_/_/
_/ _/_/ _/ _/ _/_/_/_/ _/_/_/ _/ _/ _/_/_/_/
_/ _/ _/ _/ _/ _/ _/ _/ _/
_/_/_/_/ _/_/_/_/ _/_/_/_/ _/ _/_/_/_/ _/ _/
by Sebastien Bacquet <bacquet@bach.iie.cnam.fr>
or <bacquet@rubis.iie.cnam.fr>
author of IIE, DEATHEB and GUS1M-II
TLR : The Last Resort, the ultimate deathmatch experience,
by M. Houston, G. Houston, A. Warrington, D. Sears.
If you don't know it then get it, it's great !
============================================================================
If you own a GUS with 1Mo on board and if you like playing TLR,
THEN THIS IS FOR YOU !
This ZIP contains 2 WADS :
* GUSTLR1.WAD if you play TLR for DOOM (1)
* GUSTLR2.WAD if you play TLR for DOOM ][
These WADS contain the entries DMXGUS for DOOM, DMXGUSC for DOOM ][, which
are the mappings of MIDI instruments for musics.
David Sears, the author of TLR's musics, has used a lot of instruments
that DOOM and DOOM ][ don't use. So it was essential to make a new mapping
for TLR, to appreciate to the full these very good musics.
Listen to the difference !
How to use it ?
~~~~~~~~~~~~~~~
Nothing's easier :
* copy GUSTLR1/2.wad in your TLR directory
* then : doom(2) -file tlr\gustlr1/2.wad tlr\last.wad tlr\resort.wad
or include it definitively in LAST.WAD or RESORT.WAD, thanks to DCK
or DEUTEX (very good tools, congratulations to authors !).
I hope you will like the new sound of TLR ...
Copyright / Permissions
~~~~~~~~~~~~~~~~~~~~~~~
Do what you want with this.

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# DeuTex 4.4.0 by Olivier Montanuy
# PWAD creation directives
# List of data Lumps
[lumps]
DMXGUS
# End of extraction
# DeuTex 4.4.0 by Olivier Montanuy
# PWAD creation directives
# List of data Lumps
[lumps]
DMXGUSC
# End of extraction

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jond/mfademap.lmp

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cyb/nukemap.lmp

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fogmap.lmp - a colormap that fades to grey, should be placed between C_START and C_END then invoked using linedef #242, meh.
created by oblivion (thats me) on july 29 2002 using my own short little C program.
copyrights: public domain, cuz i said so.
i am uzi666@juno.com

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lumps/playpal.lmp Symbolic link
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cph/playpal.lmp