mirror of
https://github.com/standardebooks/f-scott-fitzgerald_the-great-gatsby.git
synced 2025-09-22 02:27:00 -04:00
Fix typos
This commit is contained in:
parent
a397f6a810
commit
f5de9630cf
6 changed files with 56 additions and 54 deletions
|
@ -66,7 +66,7 @@
|
||||||
<p>“A little bit, I think. I can’t tell yet. I’ve only been here an hour. Did I tell you about the books? They’re real. They’re—”</p>
|
<p>“A little bit, I think. I can’t tell yet. I’ve only been here an hour. Did I tell you about the books? They’re real. They’re—”</p>
|
||||||
<p>“You told us.”</p>
|
<p>“You told us.”</p>
|
||||||
<p>We shook hands with him gravely and went back outdoors.</p>
|
<p>We shook hands with him gravely and went back outdoors.</p>
|
||||||
<p>There was dancing now on the canvas in the garden; old men pushing young girls backward in eternal graceless circles, superior couples holding each other tortuously, fashionably, and keeping in the corners—and a great number of single girls dancing individually or relieving the orchestra for a moment of the burden of the banjo or the traps. By midnight the hilarity had increased. A celebrated tenor had sung in Italian, and a notorious contralto had sung in jazz, and between the numbers people were doing “stunts’ all over the garden, while happy, vacuous bursts of laughter rose toward the summer sky. A pair of stage twins, who turned out to be the girls in yellow, did a baby act in costume, and champagne was served in glasses bigger than finger-bowls. The moon had risen higher, and floating in the Sound was a triangle of silver scales, trembling a little to the stiff, tinny drip of the banjoes on the lawn.</p>
|
<p>There was dancing now on the canvas in the garden; old men pushing young girls backward in eternal graceless circles, superior couples holding each other tortuously, fashionably, and keeping in the corners—and a great number of single girls dancing individually or relieving the orchestra for a moment of the burden of the banjo or the traps. By midnight the hilarity had increased. A celebrated tenor had sung in Italian, and a notorious contralto had sung in jazz, and between the numbers people were doing “stunts” all over the garden, while happy, vacuous bursts of laughter rose toward the summer sky. A pair of stage twins, who turned out to be the girls in yellow, did a baby act in costume, and champagne was served in glasses bigger than finger-bowls. The moon had risen higher, and floating in the Sound was a triangle of silver scales, trembling a little to the stiff, tinny drip of the banjoes on the lawn.</p>
|
||||||
<p>I was still with Jordan Baker. We were sitting at a table with a man of about my age and a rowdy little girl, who gave way upon the slightest provocation to uncontrollable laughter. I was enjoying myself now. I had taken two finger-bowls of champagne, and the scene had changed before my eyes into something significant, elemental, and profound.</p>
|
<p>I was still with Jordan Baker. We were sitting at a table with a man of about my age and a rowdy little girl, who gave way upon the slightest provocation to uncontrollable laughter. I was enjoying myself now. I had taken two finger-bowls of champagne, and the scene had changed before my eyes into something significant, elemental, and profound.</p>
|
||||||
<p>At a lull in the entertainment the man looked at me and smiled.</p>
|
<p>At a lull in the entertainment the man looked at me and smiled.</p>
|
||||||
<p>“Your face is familiar,” he said politely. “Weren’t you in the First Division during the war?”</p>
|
<p>“Your face is familiar,” he said politely. “Weren’t you in the First Division during the war?”</p>
|
||||||
|
@ -152,7 +152,7 @@
|
||||||
<p>Half a dozen fingers pointed at the amputated wheel—he stared at it for a moment, and then looked upward as though he suspected that it had dropped from the sky.</p>
|
<p>Half a dozen fingers pointed at the amputated wheel—he stared at it for a moment, and then looked upward as though he suspected that it had dropped from the sky.</p>
|
||||||
<p>“It came off,” someone explained.</p>
|
<p>“It came off,” someone explained.</p>
|
||||||
<p>He nodded.</p>
|
<p>He nodded.</p>
|
||||||
<p>“At first I din” notice we’d stopped.”</p>
|
<p>“At first I din’ notice we’d stopped.”</p>
|
||||||
<p>A pause. Then, taking a long breath and straightening his shoulders, he remarked in a determined voice:</p>
|
<p>A pause. Then, taking a long breath and straightening his shoulders, he remarked in a determined voice:</p>
|
||||||
<p>“Wonder’ff tell me where there’s a gas’line station?”</p>
|
<p>“Wonder’ff tell me where there’s a gas’line station?”</p>
|
||||||
<p>At least a dozen men, some of them a little better off than he was, explained to him that wheel and car were no longer joined by any physical bond.</p>
|
<p>At least a dozen men, some of them a little better off than he was, explained to him that wheel and car were no longer joined by any physical bond.</p>
|
||||||
|
|
|
@ -14,7 +14,7 @@
|
||||||
<p>From East Egg, then, came the Chester Beckers and the Leeches, and a man named Bunsen, whom I knew at Yale, and Doctor Webster Civet, who was drowned last summer up in Maine. And the Hornbeams and the Willie Voltaires, and a whole clan named Blackbuck, who always gathered in a corner and flipped up their noses like goats at whosoever came near. And the Ismays and the Chrysties (or rather Hubert Auerbach and <abbr>Mr.</abbr> Chrystie’s wife), and Edgar Beaver, whose hair, they say, turned cotton-white one winter afternoon for no good reason at all.</p>
|
<p>From East Egg, then, came the Chester Beckers and the Leeches, and a man named Bunsen, whom I knew at Yale, and Doctor Webster Civet, who was drowned last summer up in Maine. And the Hornbeams and the Willie Voltaires, and a whole clan named Blackbuck, who always gathered in a corner and flipped up their noses like goats at whosoever came near. And the Ismays and the Chrysties (or rather Hubert Auerbach and <abbr>Mr.</abbr> Chrystie’s wife), and Edgar Beaver, whose hair, they say, turned cotton-white one winter afternoon for no good reason at all.</p>
|
||||||
<p>Clarence Endive was from East Egg, as I remember. He came only once, in white knickerbockers, and had a fight with a bum named Etty in the garden. From farther out on the Island came the Cheadles and the <abbr class="name">O. R. P.</abbr> Schraeders, and the Stonewall Jackson Abrams of Georgia, and the Fishguards and the Ripley Snells. Snell was there three days before he went to the penitentiary, so drunk out on the gravel drive that <abbr>Mrs.</abbr> Ulysses Swett’s automobile ran over his right hand. The Dancies came, too, and <abbr class="name">S. B.</abbr> Whitebait, who was well over sixty, and Maurice <abbr class="name">A.</abbr> Flink, and the Hammerheads, and Beluga the tobacco importer, and Beluga’s girls.</p>
|
<p>Clarence Endive was from East Egg, as I remember. He came only once, in white knickerbockers, and had a fight with a bum named Etty in the garden. From farther out on the Island came the Cheadles and the <abbr class="name">O. R. P.</abbr> Schraeders, and the Stonewall Jackson Abrams of Georgia, and the Fishguards and the Ripley Snells. Snell was there three days before he went to the penitentiary, so drunk out on the gravel drive that <abbr>Mrs.</abbr> Ulysses Swett’s automobile ran over his right hand. The Dancies came, too, and <abbr class="name">S. B.</abbr> Whitebait, who was well over sixty, and Maurice <abbr class="name">A.</abbr> Flink, and the Hammerheads, and Beluga the tobacco importer, and Beluga’s girls.</p>
|
||||||
<p>From West Egg came the Poles and the Mulreadys and Cecil Roebuck and Cecil Schoen and Gulick the State senator and Newton Orchid, who controlled Films Par Excellence, and Eckhaust and Clyde Cohen and Don <abbr class="name">S.</abbr> Schwartz (the son) and Arthur McCarty, all connected with the movies in one way or another. And the Catlips and the Bembergs and <abbr class="name">G.</abbr> Earl Muldoon, brother to that Muldoon who afterward strangled his wife. Da Fontano the promoter came there, and Ed Legros and James <abbr class="name">B.</abbr> (“Rot-Gut”) Ferret and the De Jongs and Ernest Lilly—they came to gamble, and when Ferret wandered into the garden it meant he was cleaned out and Associated Traction would have to fluctuate profitably next day.</p>
|
<p>From West Egg came the Poles and the Mulreadys and Cecil Roebuck and Cecil Schoen and Gulick the State senator and Newton Orchid, who controlled Films Par Excellence, and Eckhaust and Clyde Cohen and Don <abbr class="name">S.</abbr> Schwartz (the son) and Arthur McCarty, all connected with the movies in one way or another. And the Catlips and the Bembergs and <abbr class="name">G.</abbr> Earl Muldoon, brother to that Muldoon who afterward strangled his wife. Da Fontano the promoter came there, and Ed Legros and James <abbr class="name">B.</abbr> (“Rot-Gut”) Ferret and the De Jongs and Ernest Lilly—they came to gamble, and when Ferret wandered into the garden it meant he was cleaned out and Associated Traction would have to fluctuate profitably next day.</p>
|
||||||
<p>A man named Klipspringer was there so often that he became known as “the boarder’—I doubt if he had any other home. Of theatrical people there were Gus Waize and Horace O’Donavan and Lester Myer and George Duckweed and Francis Bull. Also from New York were the Chromes and the Backhyssons and the Dennickers and Russel Betty and the Corrigans and the Kellehers and the Dewars and the Scullys and <abbr class="name">S. W.</abbr> Belcher and the Smirkes and the young Quinns, divorced now, and Henry <abbr class="name">L.</abbr> Palmetto, who killed himself by jumping in front of a subway train in Times Square.</p>
|
<p>A man named Klipspringer was there so often that he became known as “the boarder”—I doubt if he had any other home. Of theatrical people there were Gus Waize and Horace O’Donavan and Lester Myer and George Duckweed and Francis Bull. Also from New York were the Chromes and the Backhyssons and the Dennickers and Russel Betty and the Corrigans and the Kellehers and the Dewars and the Scullys and <abbr class="name">S. W.</abbr> Belcher and the Smirkes and the young Quinns, divorced now, and Henry <abbr class="name">L.</abbr> Palmetto, who killed himself by jumping in front of a subway train in Times Square.</p>
|
||||||
<p>Benny McClenahan arrived always with four girls. They were never quite the same ones in physical person, but they were so identical one with another that it inevitably seemed they had been there before. I have forgotten their names—Jaqueline, I think, or else Consuela, or Gloria or Judy or June, and their last names were either the melodious names of flowers and months or the sterner ones of the great American capitalists whose cousins, if pressed, they would confess themselves to be.</p>
|
<p>Benny McClenahan arrived always with four girls. They were never quite the same ones in physical person, but they were so identical one with another that it inevitably seemed they had been there before. I have forgotten their names—Jaqueline, I think, or else Consuela, or Gloria or Judy or June, and their last names were either the melodious names of flowers and months or the sterner ones of the great American capitalists whose cousins, if pressed, they would confess themselves to be.</p>
|
||||||
<p>In addition to all these I can remember that Faustina O’Brien came there at least once and the Baedeker girls and young Brewer, who had his nose shot off in the war, and <abbr>Mr.</abbr> Albrucksburger and Miss Haag, his fiancée, and Ardita Fitz-Peters and <abbr>Mr.</abbr> <abbr class="name">P.</abbr> Jewett, once head of the American Legion, and Miss Claudia Hip, with a man reputed to be her chauffeur, and a prince of something, whom we called Duke, and whose name, if I ever knew it, I have forgotten.</p>
|
<p>In addition to all these I can remember that Faustina O’Brien came there at least once and the Baedeker girls and young Brewer, who had his nose shot off in the war, and <abbr>Mr.</abbr> Albrucksburger and Miss Haag, his fiancée, and Ardita Fitz-Peters and <abbr>Mr.</abbr> <abbr class="name">P.</abbr> Jewett, once head of the American Legion, and Miss Claudia Hip, with a man reputed to be her chauffeur, and a prince of something, whom we called Duke, and whose name, if I ever knew it, I have forgotten.</p>
|
||||||
<p>All these people came to Gatsby’s house in the summer.</p>
|
<p>All these people came to Gatsby’s house in the summer.</p>
|
||||||
|
|
|
@ -49,7 +49,7 @@
|
||||||
<p><abbr>Mr.</abbr> Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial.</p>
|
<p><abbr>Mr.</abbr> Sloane didn’t enter into the conversation, but lounged back haughtily in his chair; the woman said nothing either—until unexpectedly, after two highballs, she became cordial.</p>
|
||||||
<p>“We’ll all come over to your next party, <abbr>Mr.</abbr> Gatsby,” she suggested. “What do you say?”</p>
|
<p>“We’ll all come over to your next party, <abbr>Mr.</abbr> Gatsby,” she suggested. “What do you say?”</p>
|
||||||
<p>“Certainly; I’d be delighted to have you.”</p>
|
<p>“Certainly; I’d be delighted to have you.”</p>
|
||||||
<p>“Be ver” nice,” said <abbr>Mr.</abbr> Sloane, without gratitude. “Well—think ought to be starting home.”</p>
|
<p>“Be ver’ nice,” said <abbr>Mr.</abbr> Sloane, without gratitude. “Well—think ought to be starting home.”</p>
|
||||||
<p>“Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you stay for supper? I wouldn’t be surprised if some other people dropped in from New York.”</p>
|
<p>“Please don’t hurry,” Gatsby urged them. He had control of himself now, and he wanted to see more of Tom. “Why don’t you—why don’t you stay for supper? I wouldn’t be surprised if some other people dropped in from New York.”</p>
|
||||||
<p>“You come to supper with <em>me</em>,” said the lady enthusiastically. “Both of you.”</p>
|
<p>“You come to supper with <em>me</em>,” said the lady enthusiastically. “Both of you.”</p>
|
||||||
<p>This included me. <abbr>Mr.</abbr> Sloane got to his feet.</p>
|
<p>This included me. <abbr>Mr.</abbr> Sloane got to his feet.</p>
|
||||||
|
@ -93,7 +93,7 @@
|
||||||
<p>We were at a particularly tipsy table. That was my fault—Gatsby had been called to the phone, and I’d enjoyed these same people only two weeks before. But what had amused me then turned septic on the air now.</p>
|
<p>We were at a particularly tipsy table. That was my fault—Gatsby had been called to the phone, and I’d enjoyed these same people only two weeks before. But what had amused me then turned septic on the air now.</p>
|
||||||
<p>“How do you feel, Miss Baedeker?”</p>
|
<p>“How do you feel, Miss Baedeker?”</p>
|
||||||
<p>The girl addressed was trying, unsuccessfully, to slump against my shoulder. At this inquiry she sat up and opened her eyes.</p>
|
<p>The girl addressed was trying, unsuccessfully, to slump against my shoulder. At this inquiry she sat up and opened her eyes.</p>
|
||||||
<p>“Wha”?”</p>
|
<p>“Wha’?”</p>
|
||||||
<p>A massive and lethargic woman, who had been urging Daisy to play golf with her at the local club tomorrow, spoke in Miss Baedeker’s defence:</p>
|
<p>A massive and lethargic woman, who had been urging Daisy to play golf with her at the local club tomorrow, spoke in Miss Baedeker’s defence:</p>
|
||||||
<p>“Oh, she’s all right now. When she’s had five or six cocktails she always starts screaming like that. I tell her she ought to leave it alone.”</p>
|
<p>“Oh, she’s all right now. When she’s had five or six cocktails she always starts screaming like that. I tell her she ought to leave it alone.”</p>
|
||||||
<p>“I do leave it alone,” affirmed the accused hollowly.</p>
|
<p>“I do leave it alone,” affirmed the accused hollowly.</p>
|
||||||
|
|
|
@ -180,7 +180,7 @@
|
||||||
<p>“We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.”</p>
|
<p>“We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.”</p>
|
||||||
<p>Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever.</p>
|
<p>Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever.</p>
|
||||||
<p>But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel.</p>
|
<p>But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel.</p>
|
||||||
<p>The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea’—we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny …</p>
|
<p>The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea”—we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny …</p>
|
||||||
<p>The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair.</p>
|
<p>The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair.</p>
|
||||||
<p>“It’s a swell suite,” whispered Jordan respectfully, and everyone laughed.</p>
|
<p>“It’s a swell suite,” whispered Jordan respectfully, and everyone laughed.</p>
|
||||||
<p>“Open another window,” commanded Daisy, without turning around.</p>
|
<p>“Open another window,” commanded Daisy, without turning around.</p>
|
||||||
|
@ -254,7 +254,7 @@
|
||||||
<p>“I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.”</p>
|
<p>“I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.”</p>
|
||||||
<p>Tom turned to Daisy sharply.</p>
|
<p>Tom turned to Daisy sharply.</p>
|
||||||
<p>“You’ve been seeing this fellow for five years?”</p>
|
<p>“You’ve been seeing this fellow for five years?”</p>
|
||||||
<p>“Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes’—but there was no laughter in his eyes—“to think that you didn’t know.”</p>
|
<p>“Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes”—but there was no laughter in his eyes—“to think that you didn’t know.”</p>
|
||||||
<p>“Oh—that’s all.” Tom tapped his thick fingers together like a clergyman and leaned back in his chair.</p>
|
<p>“Oh—that’s all.” Tom tapped his thick fingers together like a clergyman and leaned back in his chair.</p>
|
||||||
<p>“You’re crazy!” he exploded. “I can’t speak about what happened five years ago, because I didn’t know Daisy then—and I’ll be damned if I see how you got within a mile of her unless you brought the groceries to the back door. But all the rest of that’s a God damned lie. Daisy loved me when she married me and she loves me now.”</p>
|
<p>“You’re crazy!” he exploded. “I can’t speak about what happened five years ago, because I didn’t know Daisy then—and I’ll be damned if I see how you got within a mile of her unless you brought the groceries to the back door. But all the rest of that’s a God damned lie. Daisy loved me when she married me and she loves me now.”</p>
|
||||||
<p>“No,” said Gatsby, shaking his head.</p>
|
<p>“No,” said Gatsby, shaking his head.</p>
|
||||||
|
@ -338,8 +338,8 @@
|
||||||
<p>Myrtle Wilson’s body, wrapped in a blanket, and then in another blanket, as though she suffered from a chill in the hot night, lay on a worktable by the wall, and Tom, with his back to us, was bending over it, motionless. Next to him stood a motorcycle policeman taking down names with much sweat and correction in a little book. At first I couldn’t find the source of the high, groaning words that echoed clamorously through the bare garage—then I saw Wilson standing on the raised threshold of his office, swaying back and forth and holding to the doorposts with both hands. Some man was talking to him in a low voice and attempting, from time to time, to lay a hand on his shoulder, but Wilson neither heard nor saw. His eyes would drop slowly from the swinging light to the laden table by the wall, and then jerk back to the light again, and he gave out incessantly his high, horrible call:</p>
|
<p>Myrtle Wilson’s body, wrapped in a blanket, and then in another blanket, as though she suffered from a chill in the hot night, lay on a worktable by the wall, and Tom, with his back to us, was bending over it, motionless. Next to him stood a motorcycle policeman taking down names with much sweat and correction in a little book. At first I couldn’t find the source of the high, groaning words that echoed clamorously through the bare garage—then I saw Wilson standing on the raised threshold of his office, swaying back and forth and holding to the doorposts with both hands. Some man was talking to him in a low voice and attempting, from time to time, to lay a hand on his shoulder, but Wilson neither heard nor saw. His eyes would drop slowly from the swinging light to the laden table by the wall, and then jerk back to the light again, and he gave out incessantly his high, horrible call:</p>
|
||||||
<p>“Oh, my Ga-od! Oh, my Ga-od! Oh, Ga-od! Oh, my Ga-od!”</p>
|
<p>“Oh, my Ga-od! Oh, my Ga-od! Oh, Ga-od! Oh, my Ga-od!”</p>
|
||||||
<p>Presently Tom lifted his head with a jerk and, after staring around the garage with glazed eyes, addressed a mumbled incoherent remark to the policeman.</p>
|
<p>Presently Tom lifted his head with a jerk and, after staring around the garage with glazed eyes, addressed a mumbled incoherent remark to the policeman.</p>
|
||||||
<p>“M-a-<span epub:type="z3998:roman">v</span>—” the policeman was saying, “—o—”</p>
|
<p>“M-a-v—” the policeman was saying, “—o—”</p>
|
||||||
<p>“No, r—” corrected the man, “M-a-<span epub:type="z3998:roman">v</span>-r-o—”</p>
|
<p>“No, r—” corrected the man, “M-a-v-r-o—”</p>
|
||||||
<p>“Listen to me!” muttered Tom fiercely.</p>
|
<p>“Listen to me!” muttered Tom fiercely.</p>
|
||||||
<p>“r—” said the policeman, “o—”</p>
|
<p>“r—” said the policeman, “o—”</p>
|
||||||
<p>“g—”</p>
|
<p>“g—”</p>
|
||||||
|
@ -350,7 +350,7 @@
|
||||||
<p>“She ran out ina road. Son-of-a-bitch didn’t even stopus car.”</p>
|
<p>“She ran out ina road. Son-of-a-bitch didn’t even stopus car.”</p>
|
||||||
<p>“There was two cars,” said Michaelis, “one comin’, one goin’, see?”</p>
|
<p>“There was two cars,” said Michaelis, “one comin’, one goin’, see?”</p>
|
||||||
<p>“Going where?” asked the policeman keenly.</p>
|
<p>“Going where?” asked the policeman keenly.</p>
|
||||||
<p>“One goin” each way. Well, she’—his hand rose toward the blankets but stopped halfway and fell to his side—“she ran out there an” the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.”</p>
|
<p>“One goin” each way. Well, she’—his hand rose toward the blankets but stopped halfway and fell to his side—“she ran out there an’ the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.”</p>
|
||||||
<p>“What’s the name of this place here?” demanded the officer.</p>
|
<p>“What’s the name of this place here?” demanded the officer.</p>
|
||||||
<p>“Hasn’t got any name.”</p>
|
<p>“Hasn’t got any name.”</p>
|
||||||
<p>A pale well-dressed negro stepped near.</p>
|
<p>A pale well-dressed negro stepped near.</p>
|
||||||
|
|
|
@ -27,7 +27,7 @@
|
||||||
<p>On the last afternoon before he went abroad, he sat with Daisy in his arms for a long, silent time. It was a cold fall day, with fire in the room and her cheeks flushed. Now and then she moved and he changed his arm a little, and once he kissed her dark shining hair. The afternoon had made them tranquil for a while, as if to give them a deep memory for the long parting the next day promised. They had never been closer in their month of love, nor communicated more profoundly one with another, than when she brushed silent lips against his coat’s shoulder or when he touched the end of her fingers, gently, as though she were asleep.</p>
|
<p>On the last afternoon before he went abroad, he sat with Daisy in his arms for a long, silent time. It was a cold fall day, with fire in the room and her cheeks flushed. Now and then she moved and he changed his arm a little, and once he kissed her dark shining hair. The afternoon had made them tranquil for a while, as if to give them a deep memory for the long parting the next day promised. They had never been closer in their month of love, nor communicated more profoundly one with another, than when she brushed silent lips against his coat’s shoulder or when he touched the end of her fingers, gently, as though she were asleep.</p>
|
||||||
<hr/>
|
<hr/>
|
||||||
<p>He did extraordinarily well in the war. He was a captain before he went to the front, and following the Argonne battles he got his majority and the command of the divisional machine-guns. After the armistice he tried frantically to get home, but some complication or misunderstanding sent him to Oxford instead. He was worried now—there was a quality of nervous despair in Daisy’s letters. She didn’t see why he couldn’t come. She was feeling the pressure of the world outside, and she wanted to see him and feel his presence beside her and be reassured that she was doing the right thing after all.</p>
|
<p>He did extraordinarily well in the war. He was a captain before he went to the front, and following the Argonne battles he got his majority and the command of the divisional machine-guns. After the armistice he tried frantically to get home, but some complication or misunderstanding sent him to Oxford instead. He was worried now—there was a quality of nervous despair in Daisy’s letters. She didn’t see why he couldn’t come. She was feeling the pressure of the world outside, and she wanted to see him and feel his presence beside her and be reassured that she was doing the right thing after all.</p>
|
||||||
<p>For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment of the “Beale Street Blues’ while a hundred pairs of golden and silver slippers shuffled the shining dust. At the grey tea hour there were always rooms that throbbed incessantly with this low, sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.</p>
|
<p>For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment of the “Beale Street Blues” while a hundred pairs of golden and silver slippers shuffled the shining dust. At the grey tea hour there were always rooms that throbbed incessantly with this low, sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.</p>
|
||||||
<p>Through this twilight universe Daisy began to move again with the season; suddenly she was again keeping half a dozen dates a day with half a dozen men, and drowsing asleep at dawn with the beads and chiffon of an evening-dress tangled among dying orchids on the floor beside her bed. And all the time something within her was crying for a decision. She wanted her life shaped now, immediately—and the decision must be made by some force—of love, of money, of unquestionable practicality—that was close at hand.</p>
|
<p>Through this twilight universe Daisy began to move again with the season; suddenly she was again keeping half a dozen dates a day with half a dozen men, and drowsing asleep at dawn with the beads and chiffon of an evening-dress tangled among dying orchids on the floor beside her bed. And all the time something within her was crying for a decision. She wanted her life shaped now, immediately—and the decision must be made by some force—of love, of money, of unquestionable practicality—that was close at hand.</p>
|
||||||
<p>That force took shape in the middle of spring with the arrival of Tom Buchanan. There was a wholesome bulkiness about his person and his position, and Daisy was flattered. Doubtless there was a certain struggle and a certain relief. The letter reached Gatsby while he was still at Oxford.</p>
|
<p>That force took shape in the middle of spring with the arrival of Tom Buchanan. There was a wholesome bulkiness about his person and his position, and Daisy was flattered. Doubtless there was a certain struggle and a certain relief. The letter reached Gatsby while he was still at Oxford.</p>
|
||||||
<hr/>
|
<hr/>
|
||||||
|
@ -114,7 +114,7 @@
|
||||||
<p>“Maybe you got some friend that I could telephone for, George?”</p>
|
<p>“Maybe you got some friend that I could telephone for, George?”</p>
|
||||||
<p>This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn’t far off. About five o’clock it was blue enough outside to snap off the light.</p>
|
<p>This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn’t far off. About five o’clock it was blue enough outside to snap off the light.</p>
|
||||||
<p>Wilson’s glazed eyes turned out to the ashheaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind.</p>
|
<p>Wilson’s glazed eyes turned out to the ashheaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind.</p>
|
||||||
<p>“I spoke to her,” he muttered, after a long silence. “I told her she might fool me but she couldn’t fool God. I took her to the window’—with an effort he got up and walked to the rear window and leaned with his face pressed against it—“and I said ‘God knows what you’ve been doing, everything you’ve been doing. You may fool me, but you can’t fool God!’ ”</p>
|
<p>“I spoke to her,” he muttered, after a long silence. “I told her she might fool me but she couldn’t fool God. I took her to the window”—with an effort he got up and walked to the rear window and leaned with his face pressed against it—“and I said ‘God knows what you’ve been doing, everything you’ve been doing. You may fool me, but you can’t fool God!’ ”</p>
|
||||||
<p>Standing behind him, Michaelis saw with a shock that he was looking at the eyes of Doctor <abbr class="name">T. J.</abbr> Eckleburg, which had just emerged, pale and enormous, from the dissolving night.</p>
|
<p>Standing behind him, Michaelis saw with a shock that he was looking at the eyes of Doctor <abbr class="name">T. J.</abbr> Eckleburg, which had just emerged, pale and enormous, from the dissolving night.</p>
|
||||||
<p>“God sees everything,” repeated Wilson.</p>
|
<p>“God sees everything,” repeated Wilson.</p>
|
||||||
<p>“That’s an advertisement,” Michaelis assured him. Something made him turn away from the window and look back into the room. But Wilson stood there a long time, his face close to the window pane, nodding into the twilight.</p>
|
<p>“That’s an advertisement,” Michaelis assured him. Something made him turn away from the window and look back into the room. But Wilson stood there a long time, his face close to the window pane, nodding into the twilight.</p>
|
||||||
|
|
|
@ -103,7 +103,7 @@
|
||||||
<p>“Did you start him in business?” I inquired.</p>
|
<p>“Did you start him in business?” I inquired.</p>
|
||||||
<p>“Start him! I made him.”</p>
|
<p>“Start him! I made him.”</p>
|
||||||
<p>“Oh.”</p>
|
<p>“Oh.”</p>
|
||||||
<p>“I raised him up out of nothing, right out of the gutter. I saw right away he was a fine-appearing, gentlemanly young man, and when he told me he was at Oggsford I knew I could use him good. I got him to join the American Legion and he used to stand high there. Right off he did some work for a client of mine up to Albany. We were so thick like that in everything’—he held up two bulbous fingers—“always together.”</p>
|
<p>“I raised him up out of nothing, right out of the gutter. I saw right away he was a fine-appearing, gentlemanly young man, and when he told me he was at Oggsford I knew I could use him good. I got him to join the American Legion and he used to stand high there. Right off he did some work for a client of mine up to Albany. We were so thick like that in everything”—he held up two bulbous fingers—“always together.”</p>
|
||||||
<p>I wondered if this partnership had included the World’s Series transaction in 1919.</p>
|
<p>I wondered if this partnership had included the World’s Series transaction in 1919.</p>
|
||||||
<p>“Now he’s dead,” I said after a moment. “You were his closest friend, so I know you’ll want to come to his funeral this afternoon.”</p>
|
<p>“Now he’s dead,” I said after a moment. “You were his closest friend, so I know you’ll want to come to his funeral this afternoon.”</p>
|
||||||
<p>“I’d like to come.”</p>
|
<p>“I’d like to come.”</p>
|
||||||
|
@ -126,45 +126,47 @@
|
||||||
<p>“Look here, this is a book he had when he was a boy. It just shows you.”</p>
|
<p>“Look here, this is a book he had when he was a boy. It just shows you.”</p>
|
||||||
<p>He opened it at the back cover and turned it around for me to see. On the last flyleaf was printed the word <b>schedule</b>, and the date September 12, 1906. And underneath:</p>
|
<p>He opened it at the back cover and turned it around for me to see. On the last flyleaf was printed the word <b>schedule</b>, and the date September 12, 1906. And underneath:</p>
|
||||||
<table>
|
<table>
|
||||||
<tr>
|
<tbody>
|
||||||
<td>Rise from bed</td>
|
<tr>
|
||||||
<td>6:00</td>
|
<td>Rise from bed</td>
|
||||||
<td>
|
<td>6:00</td>
|
||||||
<abbr class="time">a.m.</abbr>
|
<td>
|
||||||
</td>
|
<abbr class="time">a.m.</abbr>
|
||||||
</tr>
|
</td>
|
||||||
<tr>
|
</tr>
|
||||||
<td>Dumbell exercise and wall-scaling</td>
|
<tr>
|
||||||
<td>6:15–6:30</td>
|
<td>Dumbell exercise and wall-scaling</td>
|
||||||
<td>‘</td>
|
<td>6:15–6:30</td>
|
||||||
</tr>
|
<td>“</td>
|
||||||
<tr>
|
</tr>
|
||||||
<td>Study electricity, <abbr>etc.</abbr></td>
|
<tr>
|
||||||
<td>7:15–8:15</td>
|
<td>Study electricity, <abbr>etc.</abbr></td>
|
||||||
<td>‘</td>
|
<td>7:15–8:15</td>
|
||||||
</tr>
|
<td>“</td>
|
||||||
<tr>
|
</tr>
|
||||||
<td>Work</td>
|
<tr>
|
||||||
<td>8:30–4:30</td>
|
<td>Work</td>
|
||||||
<td>
|
<td>8:30–4:30</td>
|
||||||
<abbr class="time">p.m.</abbr>
|
<td>
|
||||||
</td>
|
<abbr class="time">p.m.</abbr>
|
||||||
</tr>
|
</td>
|
||||||
<tr>
|
</tr>
|
||||||
<td>Baseball and sports</td>
|
<tr>
|
||||||
<td>4:30–5:00</td>
|
<td>Baseball and sports</td>
|
||||||
<td>‘</td>
|
<td>4:30–5:00</td>
|
||||||
</tr>
|
<td>“</td>
|
||||||
<tr>
|
</tr>
|
||||||
<td>Practise elocution, poise and how to attain it</td>
|
<tr>
|
||||||
<td>5:00–6:00</td>
|
<td>Practise elocution, poise and how to attain it</td>
|
||||||
<td>‘</td>
|
<td>5:00–6:00</td>
|
||||||
</tr>
|
<td>“</td>
|
||||||
<tr>
|
</tr>
|
||||||
<td>Study needed inventions</td>
|
<tr>
|
||||||
<td>7:00–9:00</td>
|
<td>Study needed inventions</td>
|
||||||
<td>‘</td>
|
<td>7:00–9:00</td>
|
||||||
</tr>
|
<td>“</td>
|
||||||
|
</tr>
|
||||||
|
</tbody>
|
||||||
</table>
|
</table>
|
||||||
<blockquote>
|
<blockquote>
|
||||||
<header>
|
<header>
|
||||||
|
@ -207,7 +209,7 @@
|
||||||
<p>He took off his glasses and wiped them again, outside and in.</p>
|
<p>He took off his glasses and wiped them again, outside and in.</p>
|
||||||
<p>“The poor son-of-a-bitch,” he said.</p>
|
<p>“The poor son-of-a-bitch,” he said.</p>
|
||||||
<hr/>
|
<hr/>
|
||||||
<p>One of my most vivid memories is of coming back West from prep school and later from college at Christmas time. Those who went farther than Chicago would gather in the old dim Union Station at six o’clock of a December evening, with a few Chicago friends, already caught up into their own holiday gaieties, to bid them a hasty goodbye. I remember the fur coats of the girls returning from Miss This-or-That’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: “Are you going to the Ordways”? the Herseys’? the Schultzes’?” and the long green tickets clasped tight in our gloved hands. And last the murky yellow cars of the Chicago, Milwaukee and <abbr>St.</abbr> Paul railroad looking cheerful as Christmas itself on the tracks beside the gate.</p>
|
<p>One of my most vivid memories is of coming back West from prep school and later from college at Christmas time. Those who went farther than Chicago would gather in the old dim Union Station at six o’clock of a December evening, with a few Chicago friends, already caught up into their own holiday gaieties, to bid them a hasty goodbye. I remember the fur coats of the girls returning from Miss This-or-That’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: “Are you going to the Ordways’? the Herseys’? the Schultzes’?” and the long green tickets clasped tight in our gloved hands. And last the murky yellow cars of the Chicago, Milwaukee and <abbr>St.</abbr> Paul railroad looking cheerful as Christmas itself on the tracks beside the gate.</p>
|
||||||
<p>When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again.</p>
|
<p>When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again.</p>
|
||||||
<p>That’s my Middle West—not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family’s name. I see now that this has been a story of the West, after all—Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.</p>
|
<p>That’s my Middle West—not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family’s name. I see now that this has been a story of the West, after all—Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.</p>
|
||||||
<p>Even when the East excited me most, even when I was most keenly aware of its superiority to the bored, sprawling, swollen towns beyond the Ohio, with their interminable inquisitions which spared only the children and the very old—even then it had always for me a quality of distortion. West Egg, especially, still figures in my more fantastic dreams. I see it as a night scene by El Greco: a hundred houses, at once conventional and grotesque, crouching under a sullen, overhanging sky and a lustreless moon. In the foreground four solemn men in dress suits are walking along the sidewalk with a stretcher on which lies a drunken woman in a white evening dress. Her hand, which dangles over the side, sparkles cold with jewels. Gravely the men turn in at a house—the wrong house. But no one knows the woman’s name, and no one cares.</p>
|
<p>Even when the East excited me most, even when I was most keenly aware of its superiority to the bored, sprawling, swollen towns beyond the Ohio, with their interminable inquisitions which spared only the children and the very old—even then it had always for me a quality of distortion. West Egg, especially, still figures in my more fantastic dreams. I see it as a night scene by El Greco: a hundred houses, at once conventional and grotesque, crouching under a sullen, overhanging sky and a lustreless moon. In the foreground four solemn men in dress suits are walking along the sidewalk with a stretcher on which lies a drunken woman in a white evening dress. Her hand, which dangles over the side, sparkles cold with jewels. Gravely the men turn in at a house—the wrong house. But no one knows the woman’s name, and no one cares.</p>
|
||||||
|
@ -216,7 +218,7 @@
|
||||||
<p>She was dressed to play golf, and I remember thinking she looked like a good illustration, her chin raised a little jauntily, her hair the colour of an autumn leaf, her face the same brown tint as the fingerless glove on her knee. When I had finished she told me without comment that she was engaged to another man. I doubted that, though there were several she could have married at a nod of her head, but I pretended to be surprised. For just a minute I wondered if I wasn’t making a mistake, then I thought it all over again quickly and got up to say goodbye.</p>
|
<p>She was dressed to play golf, and I remember thinking she looked like a good illustration, her chin raised a little jauntily, her hair the colour of an autumn leaf, her face the same brown tint as the fingerless glove on her knee. When I had finished she told me without comment that she was engaged to another man. I doubted that, though there were several she could have married at a nod of her head, but I pretended to be surprised. For just a minute I wondered if I wasn’t making a mistake, then I thought it all over again quickly and got up to say goodbye.</p>
|
||||||
<p>“Nevertheless you did throw me over,” said Jordan suddenly. “You threw me over on the telephone. I don’t give a damn about you now, but it was a new experience for me, and I felt a little dizzy for a while.”</p>
|
<p>“Nevertheless you did throw me over,” said Jordan suddenly. “You threw me over on the telephone. I don’t give a damn about you now, but it was a new experience for me, and I felt a little dizzy for a while.”</p>
|
||||||
<p>We shook hands.</p>
|
<p>We shook hands.</p>
|
||||||
<p>“Oh, and do you remember’—she added—“a conversation we had once about driving a car?”</p>
|
<p>“Oh, and do you remember”—she added—“a conversation we had once about driving a car?”</p>
|
||||||
<p>“Why—not exactly.”</p>
|
<p>“Why—not exactly.”</p>
|
||||||
<p>“You said a bad driver was only safe until she met another bad driver? Well, I met another bad driver, didn’t I? I mean it was careless of me to make such a wrong guess. I thought you were rather an honest, straightforward person. I thought it was your secret pride.”</p>
|
<p>“You said a bad driver was only safe until she met another bad driver? Well, I met another bad driver, didn’t I? I mean it was careless of me to make such a wrong guess. I thought you were rather an honest, straightforward person. I thought it was your secret pride.”</p>
|
||||||
<p>“I’m thirty,” I said. “I’m five years too old to lie to myself and call it honour.”</p>
|
<p>“I’m thirty,” I said. “I’m five years too old to lie to myself and call it honour.”</p>
|
||||||
|
|
Loading…
Add table
Add a link
Reference in a new issue